open search form open sidebar Fotos eines Geschäftstermins sorgen bei Fans für Aufruhr – dabei war Carmens Geste nett gemeint. After the premiere, most reviews were critical, and the French public was generally indifferent. [66] Carmen's habanera from act 1, and the toreador's song "Votre toast" from act 2, are among the most popular and best-known of all operatic arias,[67] the latter "a splendid piece of swagger" according to Newman, "against which the voices and the eyebrows of purists have long been raised in vain". [52] It seemed that Bizet had generally failed to fulfill expectations, both of those who (given Halévy's and Meilhac's past associations) had expected something in the Offenbach mould, and of critics such as Adolphe Jullien who had anticipated a Wagnerian music drama. The smugglers depart to transport their goods while the women distract the local customs officers. Au secours! This 90-minute version focused on four main characters, eliminating choruses and the major arias were reworked for chamber orchestra. [25] Jose's last words of love and despair are followed by a final long chord, on which the curtain falls without further musical or vocal comment.[91]. In February 1876 it began a run in Brussels at La Monnaie; it returned there the following year, with Galli-Marié in the title role, and thereafter became a permanent fixture in the Brussels repertory. Two months have passed. 280.4k Followers, 317 Following, 700 Posts - See Instagram photos and videos from Carmen Barbieri (@barbieri_carmen) [78], The prelude to act 1 combines three recurrent themes: the entry of the bullfighters from act 4, the refrain from the Toreador Song from act 2, and the motif that, in two slightly differing forms, represents both Carmen herself and the fate that she personifies. Schon mit dem Blick auf … He was assured by Halévy that the story would be toned down, that Carmen's character would be softened, and offset by Micaëla, described by Halévy as "a very innocent, very chaste young girl". (Frasquita, Mercédès, Carmen), Quant au douanier, c'est notre affaire (Frasquita, Mercédès, Carmen, le Dancaire, le Remendado, chorus), C'est les contrabandiers le refuge ordinaire (Micaëla), Je suis Escamillo, torero de Grenade! Carmen has been the subject of many recordings, beginning with early wax cylinder recordings of excerpts in the 1890s, a nearly complete performance in German from 1908 with Emmy Destinn in the title role,[92][93] and a complete 1911 Opéra-Comique recording in French. Micaëla's aria, after her entry in search of José, is a conventional piece, though of deep feeling, preceded and concluded by horn calls. [109], This article is about the opera. Having attacked a superior officer, José now has no choice but to join Carmen and the smugglers ("Suis-nous à travers la campagne"). Léon Escudier in L'Art Musical called Carmen's music "dull and obscure ... the ear grows weary of waiting for the cadence that never comes". [34], Bizet was reportedly contemptuous of the music that he wrote for Escamillo: "Well, they asked for ordure, and they've got it", he is said to have remarked about the toreador's song—but, as Dean comments, "the triteness lies in the character, not in the music". [21], Bizet, who had never visited Spain, sought out appropriate ethnic material to provide an authentic Spanish flavour to his music. [82], The prelude to act 3 was originally intended for Bizet's L'Arlésienne score. [63] On 17 April 1906, on tour with the Met, he sang the role at the Grand Opera House in San Francisco. [29] Micaëla's music has been criticised for its "Gounodesque" elements, although Dean maintains that her music has greater vitality than that of any of Gounod's own heroines. Passend dazu: die strahlend-helle, freundliche Lärche Weiß (Nachbildung). When challenged, Carmen answers with mocking defiance ("Tra la la... Coupe-moi, brûle-moi"); Zuniga orders José to tie her hands while he prepares the prison warrant. The New York Times welcomed Bizet's "pretty and effective work", but compared Zelia Trebelli's interpretation of the title role unfavourably with that of Minnie Hauk. Natürlich eingerahmt von Akzenten in Eiche sägerau (Nachbildung). [54] Carmen was often performed to half-empty houses, even when the management gave away large numbers of tickets. [15] Dean sees Bizet's principal achievement in the demonstration of the main actions of the opera in the music, rather than in the dialogue, writing that "Few artists have expressed so vividly the torments inflicted by sexual passions and jealousy". [43] The final rehearsals went well, and in a generally optimistic mood the first night was fixed for 3 March 1875, the day on which, coincidentally, Bizet's appointment as a Chevalier of the Legion of Honour was formally announced. Sie hat ein paar Zentimeter beim Friseur gelassen. [105] Francesco Rosi's film of 1984, with Julia Migenes and Plácido Domingo, is generally faithful to the original story and to Bizet's music. [101], The character "Carmen" has been a regular subject of film treatment since the earliest days of cinema. [88] When Micaëla pleads with José to go with her to his mother, the harshness of Carmen's music reveals her most unsympathetic side. Zuniga, the officer of the guard, learns that Carmen has attacked a woman with a knife. [78][81] Bizet revised this finale several times to increase its dramatic effect. In der Namensvariante Carmelo ist das «l» erhalten. Ich mag: Sport und Schlemmen; ich schwimme und laufe gerne und liebe es, in der Küche zu stehen. [55] Among those who attended one of these later performances was Tchaikovsky, who wrote to his benefactor, Nadezhda von Meck: "Carmen is a masterpiece in every sense of the word ... one of those rare creations which expresses the efforts of a whole musical epoch". [99][100], In 1983 the stage director Peter Brook produced an adaptation of Bizet's opera known as La Tragedie de Carmen in collaboration with the writer Jean-Claude Carrière and the composer Marius Constant. [60], In April 1883 Carvalho finally revived Carmen at the Opéra-Comique, with Adèle Isaac featuring in an under-rehearsed production that removed some of the controversial aspects of the original. Carmen has a husband called Garcia, whom José kills during a quarrel. [21] In act 1 he is a simple countryman aligned musically with Micaëla; in act 2 he evinces a greater toughness, the result of his experiences as a prisoner, but it is clear that by the end of the act his infatuation with Carmen has driven his emotions beyond control. 17,92 € 17,92 € (25,60 €/l) 18,33 € 18,33€ 4,90 € Versand. [98] In 1967, the Russian composer Rodion Shchedrin adapted parts of the Carmen music into a ballet, the Carmen Suite, written for his wife Maya Plisetskaya, then the Bolshoi Ballet's principal ballerina. [1] Bizet's professional relationship with Léon Carvalho, manager of the independent Théâtre Lyrique company, enabled him to bring to the stage two full-scale operas, Les pêcheurs de perles (1863) and La jolie fille de Perth (1867), but neither enjoyed much public success. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of the fiery gypsy Carmen. [21] Lesley Wright, a contemporary Bizet scholar, remarks that, unlike his compatriots Rameau and Debussy, Bizet has not been accorded a critical edition of his principal works;[75] should this transpire, she says, "we might expect yet another scholar to attempt to refine the details of this vibrant score which has so fascinated the public and performers for more than a century". Carmen ist ein aus dem Spanischen stammender Vorname, der auch in anderen Sprachen gebraucht wird, im englischen Sprachraum auch als männlicher Vorname. The mock solemnities of the changing of the guard, and the flirtatious exchanges between the townsfolk and the factory girls, precede a mood change when a brief phrase from the fate motif announces Carmen's entrance. Leider ist Carmen derzeit bei keinem der auf Moviepilot aufgelisteten Anbietern zu sehen. Carmen crashes the graduates' caper, touching down at an archaeological dig site. The latter reportedly saw the opera 20 times, and said that he would have "gone to the ends of the earth to embrace Bizet". With a plot based on the 1845 novella of the same name by Prosper Mérimée, Bizet’s Carmen was groundbreaking in its realism, and it rapidly became one of the most popular Western operas of all time. [94] Over the years many versions have been commended and reissued. After her provocative habanera, with its persistent insidious rhythm and changes of key, the fate motif sounds in full when Carmen throws her flower to José before departing. Numbers are from the vocal score (English version) printed by G. Schirmer Inc., New York, 1958 from Guiraud's 1875 arrangement. Sie wohnen an einem der reizvollen Boulevards im Zentrum von Granada und sind von den renommiertesten Kaufhäusern der Stadt umgeben. The men plead with her to choose a lover, and after some teasing she throws a flower to Don José, who thus far has been ignoring her but is now annoyed by her insolence. Carmen has since become one of the most popular and frequently performed operas in the classical canon; the "Habanera" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. Dean writes that Bizet improved considerably on the original melody; he "transformed it from a drawing-room piece into a potent instrument of characterisation". [62], On 9 January 1884, Carmen was given its first New York Metropolitan Opera performance, to a mixed critical reception. A square in Seville. 129, 70176 Stuttgart. [61] But Carvalho, who had assumed the management of the Opéra-Comique, thought the work immoral and refused to reinstate it. Moralès tells her that "José is not yet on duty" and invites her to wait with them. Dean places Bizet's realism in a different category from the verismo of Puccini and others; he likens the composer to Mozart and Verdi in his ability to engage his audiences with the emotions and sufferings of his characters. The music reflects their contrasting attitudes: Escamillo remains, says Newman, "invincibly polite and ironic", while José is sullen and aggressive. Furthermore, the gypsies would be presented as comic characters, and Carmen's death would be overshadowed at the end by "triumphal processions, ballets and joyous fanfares". Livestream Carmen wurde am 10.11.2020 live auf OperaVision gestreamt. Leider ist Carmen derzeit bei keinem der auf Moviepilot aufgelisteten Anbietern zu sehen. Mein besonderes Einfühlungsvermögen und mein starkes soziales Engagement hat meinen Weg nachhaltig beeinflusst und mein Wesen geprägt. [69], At the Opéra-Comique, after its 1883 revival, Carmen was always presented in the dialogue version with minimal musical embellishments. In the card scene, the lively duet for Frasquita and Mercédès turns ominous when Carmen intervenes; the fate motif underlines her premonition of death. He also provided a new opening line for the "Seguidilla" in act 1. Carmen is an opera in four acts by French composer Georges Bizet. Wir sind mit dabei! Macdonald suggests that outside the French repertoire, Richard Strauss's Salome and Alban Berg's Lulu "may be seen as distant degenerate descendants of Bizet's temptress". On hearing a gunshot she hides in fear; it is José, who has fired at an intruder who proves to be Escamillo. [5] Halévy, who had written the text for Bizet's student opera Le docteur Miracle (1856), was a cousin of Bizet's wife, Geneviève;[6] he and Meilhac had a solid reputation as the librettists of many of Jacques Offenbach's operettas. [56] After the final performance, Carmen was not seen in Paris again until 1883. [70] By 1888, the year of the 50th anniversary of Bizet's birth, the opera had been performed there 330 times;[66] by 1938, his centenary year, the total of performances at the theatre had reached 2,271. Carmen Wilkerling. Brook first produced it in Paris, and it has since been performed in many cities. Carmen! [53], In its initial run at the Opéra-Comique, Carmen provoked little public enthusiasm; it shared the theatre for a while with Verdi's much more popular Requiem. At the back, a bridge. 4. folgende Daten, die Ihr Internet-Browser an uns bzw. The successful Her Majesty's production, sung in Italian, had an equally enthusiastic reception in Dublin. Sur tes pas nous pressons! [38] Galli-Marié, a demanding and at times tempestuous performer, would prove a staunch ally of Bizet, often supporting his resistance to demands from the management that the work should be toned down. [70], Dean has commented on the dramatic distortions that arise from the suppression of the dialogue; the effect, he says, is that the action moves forward "in a series of jerks, rather instead of by smooth transition", and that most of the minor characters are substantially diminished. [65], The popularity of Carmen continued through succeeding generations of American opera-goers; by the beginning of 2011 the Met alone had performed it almost a thousand times. At that point, according to Bizet's biographer Winton Dean, "some hitch at the Opéra-Comique intervened", and the project was suspended for a while. Carmen, opera in four acts by French composer Georges Bizet—with a libretto in French by Henri Meilhac and Ludovic Halévy—that premiered on March 3, 1875. [37] The role was then offered to Célestine Galli-Marié, who agreed to terms with du Locle after several months' negotiation. Wir weisen darauf hin, dass die internetbasierte Datenübertragung Sicherheitslücken aufweist, ein lückenloser Schutz vor Zugriffen durch Dritte somit unmöglich ist. The capital's two main state-funded opera houses—the Opéra and the Opéra-Comique—followed conservative repertoires that restricted opportunities for young native talent. Jagd um die Welt – schnappt Carmen Sandiego, https://de.wikipedia.org/w/index.php?title=Carmen_(Vorname)&oldid=201611719, „Creative Commons Attribution/Share Alike“, Leah Van Dale (* 1987), US-amerikanisches Model und Wrestlerin, siehe. The first part of act 2 also went well, but after the toreador's song there was, Halévy noted, "coldness". Outside, a chorus and procession announces the arrival of the toreador Escamillo ("Vivat, vivat le Toréro"). [27], Most of the characters in Carmen—the soldiers, the smugglers, the Gypsy women and the secondary leads Micaëla and Escamillo—are reasonably familiar types within the opéra comique tradition, although drawing them from proletarian life was unusual. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalized its first audiences. 01727073725. mail@carmen.dance. However, she married and left the stage altogether in 1876, refusing Mapleson's considerable cash inducements to return. This has deterred some of opera's most distinguished exponents; Maria Callas, though she recorded the part, never performed it on stage. It was his wedding anniversary. The Fishy Doubloon Caper 24m. Fritz Oeser's 1964 edition is an attempt to fill this gap, but in Dean's view is unsatisfactory. There is no definitive edition, and there are differences among musicologists about which version represents the composer's true intentions. José is left behind on guard duty. For other uses, see. As Escamillo leaves he invites everyone to his next bullfight in Seville. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalized its first audiences. It also won praise from both Wagner and Brahms. C.A.R.M.E.N. 6 (Fantasia da camera super Carmen), is based on themes from Carmen. [29], Carmen herself, says Dean, is a new type of operatic heroine representing a new kind of love, not the innocent kind associated with the "spotless soprano" school, but something altogether more vital and dangerous. 3. The films were made in various languages and interpreted by several cultures, and have been created by prominent directors including Gerolamo Lo Savio [it] (1909) [it], Raoul Walsh (1915) with Theda Bara,[102] Cecil B. DeMille (1915),[103] and The Loves of Carmen (1948) with Rita Hayworth and Glenn Ford, directed by Charles Vidor. (Chorus of citizens, Zuniga, Moralès, Frasquita, Mercédès), Les voici, voici la quadrille ... Si tu m'aimes, Carmen (Chorus of citizens, children, Escamillo, Carmen, Frasquita, Mercédès), Finale: C'est toi! [41] Marguerite Chapuy, who sang Micaëla, was at the beginning of a short career in which she was briefly a star at London's Theatre Royal, Drury Lane; the impresario James H. Mapleson thought her "one of the most charming vocalists it has been my pleasure to know". [85] José's insistence that, despite Carmen's blandishments, he must return to duty leads to a quarrel; the arrival of Zuniga, the consequent fight and José's unavoidable ensnarement into the lawless life culminates musically in the triumphant hymn to freedom that closes the act. Carmen in der Internet Movie Database (englisch) Einzelnachweise Zuletzt bearbeitet am 6. Likewise, the melody from Manuel García used in the act 4 prelude has been developed from "a rambling recitation to a taut masterpiece". [39] At the time it was generally believed that she and the composer were conducting a love affair during the months of rehearsal. The CARMEN consortium is inviting applications for 11 Early Stage Researcher (ESR) PhD positions in the field of Classical and Ancient Studies. In February 1906 Enrico Caruso sang José at the Met for the first time; he continued to perform in this role until 1919, two years before his death. He departs, vowing he will return. Serverdaten. [86] As the action unfolds, the tension between Carmen and José is evident in the music. De Leuven reluctantly agreed, but his continuing hostility towards the project led to his resignation from the theatre early in 1874. "; as the crowd exits the arena, José confesses to killing Carmen. e.V. (Carmen, José), Finale: Holà! In October Carvalho yielded to pressure and revised the production; he brought back Galli-Marié, and restored the score and libretto to their 1875 forms. 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